Gare st lazare monet analysis essay - gihardware.net.
A founding member of the Impressionist movement in the late 1800s, Claude Monet was interested in direct observation and perceptual study, particularly depicting the effects of light and shadow on color. A proponent of en plein air painting, Monet is most famous for his series depicting haystacks (1891), poplars (1892), the Rouen Cathedral (1894), and water lilies (1910-20).
Claude Monet: The Gare St Lazare: 1877. This picture is an urban Parisian scene rather than a rural view, but it is as much a landscape as Constable’s idyllic Suffolk countryside. Instead of the trees we see lampposts which lead the eye into the background. The sky is the roof of the engine shed, the clouds those of steam and smoke from the trains, and the people are reduced to anonymous.
Claude Monet painted La Gare Saint-Lazare in 1877. The crush of people and the arrival and departure of the trains posed a challenge to Monet's powers of observation, forcing him to work quickly and retain the sensations of light, steam, and motion in his memory.
After his return to France from London, Monet lived from 1871-78 at Argenteuil, on the Seine near Paris. In January 1877 he rented a small flat and a studio near the Gare St-Lazare, and in the third Impressionist exhibition which opened in April of that year, he exhibited seven canvases of the railway station.
The Gare Saint-Lazare was in fact the terminus of the train line from Argenteuil, which Monet often took himself. He knew the Gare Saint-Lazare well, and it is doubtful that he would have chose to paint a series on it, had he not had considerable affinity for the place. The Gare Saint-Lazare series was also more varied than the sets of tourist views Monet would go on to paint in the 1880s.
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The “Gare Saint Lazare” illustrates Monet’s impressionist work. Impressionism was a major artistic movement in late 19th and early 20th centuries. The main distinct feature of impressionism was the need to objectively and accurately create visual reality based on the effect of light and color. Monet was good in all genres, though his interest was focused on outdoor painting and landscape.